AUGUST 13 & 14, 2019, 7-10 PM EACH NIGHT

This two-night mini-intensive with sidecoach Aretha Sills is designed for players with some Spolin improvisation experience who’d like to delve deeper into the famously generative games and exercises in Improvisation for the Theater.

We’ll explore Spolin games that have been used by countless theater companies as rehearsal techniques or for devising/generating new material.

We’ll play warm ups and more advanced scene games to discover how Spolin exercises can be used to build a strong sense or ensemble, create new material, or to find brilliant and spontaneous moments when rehearsing scripted material. Class size is limited.

Returning players and players with some experience are encouraged to attend. New players, please email before registering to discuss if the workshop is a good fit.

We’ll meet: Tuesday, August 13 and Wednesday, August 14, from 7 to 10pm each night.

Location: Spaces @ 520, 520 Eighth Avenue, 3rd Floor, New York, NY 10018

Tuition: $150. Tuition is not refundable but you can transfer your space to another player with advance permission.

If you have any questions, please email before registering.

If a workshop is sold out and you’d like to be added the wait list, email us and be sure to include the location and date of the workshop.

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Viola Spolin’s Theater Games launched the American improvisational theater movement and changed the way acting is taught. Her work has influenced generations of actors and educators. Theater Games release the intuition through focus, spontaneity, and play, opening up new avenues of expression and communication in your creative work and in your daily life.

In the workshops with sidecoach Aretha Sills, we’ll explore the groundbreaking exercises and theatrical concepts found in Spolin’s seminal book Improvisation for the Theater, with an emphasis on the philosophies of legendary improvisation innovators Spolin and Paul Sills, and on applying Spolin’s meditative methods to your work in any artistic discipline.


All workshops will be sidecoached by Aretha Sills. The granddaughter of Viola Spolin, Aretha studied for many years with her father, director Paul Sills (creator/director of The Second City and Story Theater), and has conducted workshops for Paul Sills’ Wisconsin Theater Game Center, Bard College, Stella Adler Studio of Acting, Stockholm International School, Sarah Lawrence College, and Northwestern University. She has worked with Tony- and Emmy-Award winning actors and has trained faculty from Northwestern, DePaul, Columbia College, The Second City, The Alan Alda Center for Communicating Science, LAUSD, CETA, and many other institutions and schools. She is the Associate Director of Sills/Spolin Theater Works and she directs The Predicament Players. 

You can read an interview with Aretha from the Applied Improvisation Network here, and an article about her workshops here.

To be notified about upcoming workshops, or to inquire about private coaching or workshops for your school or group, please email. 


“Aretha is dedicated to preserving the pureness of this technique, which from my point of view assists the actor to find the courage to find themself and then to fly. I believe she has, innately and amazingly, all the elements of the technique of both Viola Spolin and Viola’s son, the extraordinary director, Paul Sills. I have studied with Aretha, and believe me, the thrill lives on.” – Paul Sand, Tony Award winner, Paul Sills’ Story Theater; Original Second City cast member

“Aretha Sills, carrying on the work of Spolin and Sills, is an amazing, insightful side-coach and teacher. We were fortunate enough to take a workshop in L.A. with her and it helped us reconnect with theater game work on a deeper level. She knows her stuff. Can’t wait to work with her again!” – Deb Lacusta & Dan Castellaneta, The Simpsons, actor & writers

“As an educator and instructor of acting and directing, I was eager to learn about the American theater improvisation developed by Viola Spolin and expounded by Paul Sills. Aretha Sills provides an insight into the authentic roots of the system that has been utilized for years by theatre training programs. The workshop will provide you with an excellent opportunity to explore various games and exercises to enrich your view of performance and acting.”  -Norma Saldivar, professor and chair, UNLV Department of Theatre, and executive director of the Nevada Conservatory Theatre

“Aretha is one of the century’s best improvisation teachers. Like her grandmother before her, she understands people, theater, and improvisation in an intuitive and deep way. As someone who has studied with some of the top teachers in the country and has performed for over 15 years, I can honestly say Aretha’s work opened my eyes. I understood improv on a deeper level. I was refreshed and returned to beginner’s mind.” -David Alger, founder Pan Theater


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